Julia Antinozzi is a choreographer and dance artist. Her work has been presented at New York Live Arts, Triskelion Arts, Movement Research at the Judson Church, Center for Performance Research, and PAGEANT among others in NYC, nationally in Seattle and Salt Lake City, and featured in various online publications. Julia has held artist residencies at The Floor on Atlantic, New Dance Alliance and Motive Brooklyn. Most recently, she received the 2023-2024 Trisk Fellowship from Triskelion Arts, and was selected to be a 2023-2024 New York Live Arts Fresh Tracks Performance & Residency artist. As a performer and collaborator, Julia has worked with Phoebe Berglund, Boy Friday, Juli Brandano, The Creature, Barbie Diewald, Ayano Elson, Amelia Koper Heintzelman, Shayla-Vie Jenkins, Shane Larson, Anna Sperber, and performed in repertory by Merce Cunningham and Bebe Miller. Julia graduated from Smith College cum laude with a BA in Dance and a minor in Astronomy.
Meredith Bove is a dancer and dramaturg based in western Massachusetts. Her practices move between and across performance, writing, dance, and audio. Through each of these mediums, she is devoted to engaging the tensions between language and embodied experience. Meredith has taught dance & performance studies at Hollins University (2011-2012 & 2016), Montgomery College (2014-2016), Springfield College (2016), Keene State College (2017-2020), Smith College (2021-2022), and most recently as Visiting Artist in Dance at Mount Holyoke College (2022-2024) where she led seminars on dance writing & dramaturgy, and queer & feminist performance. She has collaborated as a dramaturg with choreographers Barbie Diewald, Rebecca Pappas, and Lailye Weidman, and has performed in the work of Jérôme Bel, Luis Lara Malvacías, Sharon Mansur, Stephanie Miracle, Jillian Peña, Sara Smith, and Karinne Keithley Syers. Her writing on performance has been published in ThINKingDANCE, Culturebot, and Contact Quarterly; for The Making Room (2018), a collaboration between choreographers Bebe Miller and Susan Rethorst; and by Keene State College’s Redfern Arts Center for Reggie Wilson’s POWER (2021). She was Associate Editor for Contact Quarterly between 2018-2020, and continues to be influenced by the publication’s legacy and commitment to articulating the unfolding experience of embodiment.
Originally from the Midwest, Ellie Goudie-Averill is a dance artist and educator who works with dancers of all ages on technique and performance. Since graduating with her MFA in Dance Performance from the University of Iowa, she has served as a professor at Temple University, Bucknell University, the University of Kansas, Franklin & Marshall College, Keene State College, and Connecticut College. In the past, she has danced professionally for Susan Rethorst, Lucinda Childs, Bronwen MacArthur, Group Motion, and Sara Shelton Mann. Ellie is currently working on new projects with Beau Hancock and Barbie Diewald. She is a regular collaborator and dancer with Tori Lawrence + Co. in dance films and site-specific works and has been with the company for over ten years. She currently teaches ballet and modern at Smith, Amherst, and Mount Holyoke Colleges and at School for Contemporary Dance and Thought in Northampton, MA. Ellie’s dance reviews and other dance writings have appeared online at thINKingDANCE and Baryshnikov Arts Center.
Chloe London is a dance choreographer and performer splitting her time between Northampton, MA and NYC. She has danced for Vanessa Anspaugh, Alex Davis, Stefanie Nelson, Tammy Sugden-Carrasco, Martha Tornay, John Zullo, and The Merce Cunningham Trust. She has choreographed collaboratively with Angie Hauser, Alex Davis, and Tim Bendernagel. Her own choreography has been presented by Movement Research at the Judson Church, Dixon Place, Triskelion Arts, School of Contemporary Dance and Thought, and Battery Park Dance Festival. She was a 2019 Triskelion Presents commissioned artist (Brooklyn, NY), a 2022 ARC Artist in Residence at A.P.E. Gallery (Northampton, MA) and a 2023 Artist in Residence at Bearnstow (Mount Vernon, ME). She graduated in May 2023 with her MFA in Performance & Choreography from Smith College where she performed in works by Chris Aiken, Angie Hauser & Bebe Miller, Erin Kouwe, Gabrielle Revlock, and Jenna Riegel. She was a Teaching Fellow at Smith College and Hampshire College and a Dance Lecturer at UMass Amherst. She works administratively for LMCC’s River to River Festival and School for Contemporary Dance & Thought. She currently dances for Barbie Diewald and Mary Beth Brooker and is currently making a new work commissioned by Triskelion Arts that will premiere in April 2025.
Jazer Giles is an artist and composer living in Los Angeles, California. His video work has been described as “rich with structure and rules, but also full of a sort of wrongness that signifies art from a human” in Clash Magazine and “wonderfully glitchy and geometric” in I CARE IF YOU LISTEN on the American Composers Forum. Multiple music video and live performance collaborations with London based electronic musician Max Cooper have taken his video art from the Acropolis to Tokyo.
As a composer he has collaborated extensively with instrumentalists and choreographers and had his audio/video works featured at SEAMUS, Max Expo ’74, and the Five College New Music Festival. Recent collaborations with Barbie Diewald were awarded grants from NEFA and MASS Cultural Council, presented domestically and internationally at venues such as Jacob’s Pillow, Bates Dance Festival, Ponderosa Dance, and New Dance Alliance.
Jazer holds undergraduate degrees in music and physics from Skidmore College and a graduate degree in music composition from the University of Massachusetts. He is currently a PhD candidate in the Media Arts and Technology Program at the University of California, Santa Barbara.
